capitalism

Ep. 69 – Dorfman and Mattleart on Disney and Imperialism

In this episode, Emily, James, and John enter the Worrisome World-Making of Disney (™) via How to Read Donald Duck, a 1971 Chilean Marxist critique of the American imperial-capitalist project of Disney, republished in 2018. Our trio approaches the book in form and content, and they discuss its social opposition through state censorship — whether as literal book-burning under the Pinochet regime or the banal violence of copyright infringement litigation in the United States — as well as praise the clarity of its cultural studies analysis of the Donald Duck comic strip (1938-1995). The comic, let us remind you, depicted the bourgeois imaginaries of the ne’er-do-well Donald Duck; his miserly ol’ Uncle Scrooge McDuck; everyone’s pal Daisy; our favorite triplets Huey, Dewey, and Louis; and all the aspiring burghers of Duckburg…and the realms beyond.
Does the “fantasia” and “magic of Disney” truly serve to mystify the processes of primitive accumulation? Is Scrooge McDuck’s Monroe-Doctrine, Robber-baron aesthetic the farcical return of Hobbes’ Leviathan? What might the fetishization of gold teach children about the value of labor? Why are there only uncles and aunts in Duckburg? What happened to production, reproduction, labor, class, and social antagonism? What does Donald Duck make invisible, and what does it seek to make natural? Is Donald Trump Scrooge? Is the Marvel Cinematic Universe the bourgeois ideology machine of our time?
Bonus: Find out why you should be simultaneously terrified of the acronym E.P.C.O.T. and grateful Walt Disney’s delusions of grandeur sank right back into the swampy Florida glades from which they sprung. Double bonus: critical mallard studies.
Always Already Medici Club patron Jason H requested we discuss this book, thank you Jason! Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Patreon here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommons; always already thanks to B for the outro music. For the mp3 of the episode click here.

 

 

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Cover of How to Read Donald Duck

Ep. 67 – Joel Olson, The Abolition of White Democracy

In this episode, John and Sid are joined by friend of the podcast Danielle Hanley of Rutgers University to discuss Joel Olson’s The Abolition of White Democracy (2004). Our discussion weaves through a number of pressing questions: How does Olson center Du Bois in political theory debates about American democracy and citizenship? In what ways are Olson’s conceptualizations of “race,” “whiteness,” and “white privilege” precisely the kind of theorizations—politically astute, materially grounded, and non-reductive—that our moment calls for? What does Olson’s analysis of the constitutive relationship between race and American capitalism add to theories of racial capitalism? How does Olson’s vision of “abolition-democracy” expand democratic imaginaries and re-think agency and participation in critical race theory? Instead of turning to the work of Robin DiAngelo and Tim Wise, what if liberals interested in understanding and/or undoing “whiteness” read Olson’s prescient work?

Across our conversation, we find that Olson’s elegant work speaks to our historical and political moment in multiple ways and has much to offer the left, theoretically and practically, within and beyond academia.

Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Patreon here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommons; always already thanks to B for the outro music. For the mp3 of the episode click here.

 

Links:

 

Image of book cover, with the title in alternative red, white, and grey text on a black background

 

Interview: Practicing Critical Care Through COVID-19 and Beyond – Epistemic Unruliness 27

In this episode focusing on the hazards of COVID-19, James interviews Dr. Sarmistha Talukdar, a queer, immigrant, neurodivergent audio-visual artist and a postdoctoral geneticist, and Jess Cowing, a PhD candidate working at the intersections of critical disability studies and settler colonialism. Jointly, Talukdar and Cowing are the organizers of the online workshop, “Chronic Illness and Mutual Care in Emergent Times: Preparing for COVID-19 and other Contagious Diseases,” which detailed the late public health crisis within an intersectional healing and disability justice frame that centers the experiences of those communities already held vulnerable and made unwell by the scarcity logic of capitalism and its asymmetrical distribution of resources and knowledge through the medical-industrial complex. How do we practice “social distancing” while mobilizing critical mutual care for our communities? And in an Anthropocene Age which has featured viral apocalypse since at least 1492, can we look through the prism of global pandemic towards the horizon of alternative futures and re-arrangements of our social relations, so that we might dream, imagine, and fantasize together about the world to come after capitalism?

Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommons; always already thanks to B for the outro music. For the mp3 of the episode click here.

 

 

Links:

 

Ep. 65 – Race, Capitalism, and Intersectionality

Emily, Sid, and John intervene in the resurgent and lively (and possibly trendy?) discussion on “racial capitalism.” By engaging with four articles–Michael Dawson’s (2016), “Hidden in Plain Sight: A Note on Legitimation Crises and the Racial Order“; Nancy Fraser’s (2016), “Expropriation and Exploitation in Racialized Capitalism: A Reply to Michael Dawson“; Ashley Bohrer’s (2018), “Intersectionality and Marxism: A Critical Historiography“; and Michael Ralph and Maya Singhal’s (2019), “Racial Capitalism“–the team interrogates the theoretical foundations and political stakes around the relationship between capitalism, racial domination, patriarchy, and other modalities of hierarchy and oppression.

We raise questions (and often meet them with additional questions) such as: Is race necessary or contingent to the history and structure of capitalism? How, if at all, does contemporary work on racial capitalism move us past the entrenched class versus identity debate? Is the phrase “racial capitalism” an empty signifier, or does it hold generative political possibilities for the left? Tune in and find out where you end up on these questions and more!
Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommons; always already thanks to B for the outro music. For the mp3 of the episode click here.
Links:
  • The Combahee River Collective Statement
  • Boston Review critical forum on slavery, capitalism, and justice
  • Robin D.G. Kelley, video of “What is Racial Capitalism and Why Does It Matter?” lecture (2017) and essay on Cedric Robinson and racial capitalism
  • Chapter 13 of Angela Davis’ Women, Race, and Class
  • The Race and Capitalism Project at the University of Chicago
  • Mayra Cotta on Michael Dawson, Nancy Fraser, race, and capitalism
  • Video of Michael Dawson talk “Race, Capitalism, and the Current Crisis” (2019)
  • Ashley Bohrer talk on “Capitalist Confinement” (2016)
  • 2016 panel discussion on Race and Capitalism at U Chicago
  • Michael Ralph discussing his book Forensics of Capital on Left on Black

Ep. 63 – Silvia Federici, Caliban and the Witch

[Edited to add: Federici published an earlier version of this book in Italian in 1984; the English book Caliban and the Witch, published in 2004, as a synthesis of the earlier work and her ongoing research, thinking, and experiences, including time living in Nigeria in the 1980s. This context bears on our discussions of colonialism and the slave trade in the episode. Thanks to a listener for pointing this out.] 

In this episode, join James, Emily, and John for a discussion of Silvia Federici’s Caliban and the Witch: Women, the Body, and Primitive Accumulation. We attempt to parse her engagement with/extension of Marx’s concept of primitive accumulation, and question whether the figure of the witch in this text is a historical materialist one, a metonymic one, or some combination of the two. We also ask after the analogizing of witch hunts with the slave trade, draw on James’s rich knowledge of witchcraft to interrogate the role of actual witches in the text, think through the idea of capitalism’s historical inevitability, and perhaps even reveal ourselves to be different kinds of Marxists in the process!

Thanks to listener Jonathan Lowell for the request to read Federici. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommons; always already thanks to B for the outro music. For the mp3 of the episode click here.

 

Links:

 

Image of Silvia Federici, sitting on a chair while turned to the camera.

Silvia Federici in 2014. Photo by Marta Jara, used under CC BY-SA 3.0 es license. Found at https://en.wikipedia.org/wiki/Silvia_Federici#/media/File:La_escritora_y_activista_feminista_Silvia_Federici_(cropped).jpg

 

Cover of the book Caliban and the Witch