In this episode, Emily, James, and John enter the Worrisome World-Making of Disney (™) via How to Read Donald Duck, a 1971 Chilean Marxist critique of the American imperial-capitalist project of Disney, republished in 2018. Our trio approaches the book in form and content, and they discuss its social opposition through state censorship — whether as literal book-burning under the Pinochet regime or the banal violence of copyright infringement litigation in the United States — as well as praise the clarity of its cultural studies analysis of the Donald Duck comic strip (1938-1995). The comic, let us remind you, depicted the bourgeois imaginaries of the ne’er-do-well Donald Duck; his miserly ol’ Uncle Scrooge McDuck; everyone’s pal Daisy; our favorite triplets Huey, Dewey, and Louis; and all the aspiring burghers of Duckburg…and the realms beyond.
Does the “fantasia” and “magic of Disney” truly serve to mystify the processes of primitive accumulation? Is Scrooge McDuck’s Monroe-Doctrine, Robber-baron aesthetic the farcical return of Hobbes’ Leviathan? What might the fetishization of gold teach children about the value of labor? Why are there only uncles and aunts in Duckburg? What happened to production, reproduction, labor, class, and social antagonism? What does Donald Duck make invisible, and what does it seek to make natural? Is Donald Trump Scrooge? Is the Marvel Cinematic Universe the bourgeois ideology machine of our time?
Bonus: Find out why you should be simultaneously terrified of the acronym E.P.C.O.T. and grateful Walt Disney’s delusions of grandeur sank right back into the swampy Florida glades from which they sprung. Double bonus: critical mallard studies.
Always Already Medici Club patron Jason H requested we discuss this book, thank you Jason! Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Patreon here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommons; always already thanks to B for the outro music. For the mp3 of the episode click here.
In this special installment of Epistemic Unruliness, James brings you a student-assembled episode produced by some the intrepid undergraduates who took his spring 2019 Swarthmore College course, “When the Saints go Marching in! Festivals and Parades of Latin America.” This course and the podcasts presented here focused on the Caribbean Carnival Complex — a heuristic that has emerged within Caribbean cultural studies that takes the Carnival performance season common across the region as a metonymic expression of a fractalized Caribbean identity, history, culture, and cosmology.
Drawing on complexity studies, chaos theory, the Blackened Afro-Caribbean phenomenology and kinaesthetics of Frantz Fanon, as well as participant-observation at Philadelphia’s El Carnaval de Puebla, this episode plunges listeners into the “Caribbean of the senses” (Benítez-Rojo 1992) through an exploration of the embodied, choreographic archives carnavaleros use to generate and transmit forms of knowing (Roach 1996). This performance modality, called “playing Mas” in the Anglo-Caribbean (Browne 2018), centers the affective immediacy but rhetorical indirection of communicative forms like masking, veiling, costuming and other dramaturgical aspects of Caribbean mytho-poesis. The Caribbean Carnival Complex entails a fugitive praxis that emerges from the fragments of liberatory-emancipatory potential made sensible and perceptible by mass street rituals.
A special thank you to the students who worked on the following segments:
“Caribbean Curries” – Arpita Joyce and Catherine Williams
“Sounds of El Carnaval de Puebla en Filadelfia” – Edna Olvera and Miryam Ramírez (click here for a .pdf of their listening notes)
Support us on Patreon to help us upgrade our recording equipment, potentially provide episode transcripts, and more – plus, you may have the chance to jump your request to the top of the request queue. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Bad Infinity for the opening and interstitial music, “Being in the World,” from their album FutureCommons. For the mp3 of the episode click here.
Syllabus for “When the Saints go Marching in! Festivals and Parades of Latin America.”