Ep. 55 – Kylie Jarrett: Feminism, Labour, and Digital Media

In this episode of AAP, John and Emily are joined by guest and friend of the podcast Amy Schiller for a discussion of Kylie Jarrett‘s book Feminism, Labor, and Digital Media: The Digital Housewife. We attempt to unpack “the digital housewife” as a device, method, standpoint, and subjectivity for understanding the role that affective labor plays in exploitation and the extraction of surplus value in digital media. We discuss the scope of the intervention in the context of the various Marxist traditions invoked, inquire whether there are resonances with labor in the academy, reflect on our own digital laboring, and pose questions that the book raises for us regarding radical politics, resistance, and alt-right meme culture.

Support us on Patreon to help us upgrade our recording equipment, potentially provide episode transcripts, and more – plus, you may have the chance to jump your request to the top of the request queue. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here.Thanks to Bad Infinity for the intro music, and always already thanks to B for the outro music. For the mp3 of the episode click here.

Also, we are excited to announce that we have joined the Critical Mediations network! You can check them/us out on the Critical Mediations website, soundcloud, or twitter.





Engels Cat: I Can Haz False Consciousness

The Engels Cat meme that is the focus of Chapter 5 of Jarrett’s book




Ep. 29 – Frank B. Wilderson III on Cinema and the Structure of US Racial Antagonisms

In this episode, John, B, and Emily gather for a discussion about the ontology of blackness in Frank B. Wilderson III’s book Red, White, and Black: Cinema and the Structure of US Antagonisms, and in particular his analysis of the film Monster’s Ball. Bear with us as we again (attempt to) flex our critical theory chops in the visual text genre! We spend time unpacking Wilderson’s ontology, and his important distinction between the grammar of alienation and exploitation in emancipatory discourses versus the ontology of suffering of slavery. How is this distinction related to those of conflict/antagonism and identity/ontology, and to (the unspeakability of) ethics? We talk through his extensive interrogation of the dissonance between the narrative structure of the film and its strategies of cinematic form, discuss whether the film implicitly recognizes the limitations of its own grammar of suffering, and analyze the film’s (in)famous sex scene. Our conversation ends by answering new co-host James Padilioni Jr.’s question about freedom.
Also in this episode, a complex Tumblr Friend advice question about the academia’s co-optation of radical theorizing, and some more One or Several Wolves dream analysis about the job market (except this time with more Kelis). It is clearly a common trend among our dreamer-listeners. Enjoy!
Thanks to Eric T. for suggesting this text. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. Get the mp3 of the episode here. RSS feed here. This episode’s music by Jordan Cass and by B.