Ep. 50 – Karen Barad, Meeting the Universe Halfway

In this especially agentic episode, Emily, John, and B attempt to meet Karen Barad halfway–examining three chapters from her major work, Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Exploring how the concepts of agency, quantum theory, feminist science studies, and “the real” might be updated through Barad’s notion of intra-action, the team tackles everything from Barad’s agential realism right down to the heart of whether “yous dudes” can be a thing. Along the way, they puzzle over the difference between a phenomena and an apparatus, ask what a Barad-influenced interpretation of liberalism would be, explore how Barad can influence our pedagogy, and quasi-heatedly debate the relationship of Barad’s work to phenomenology,  They even have time for Emily’s favorite segment, One or Several Wolves–in this installment, bears, poop, a dog iPhone, and a sense of belonging are all found in a listener’s recurring dream from childhood.

Thanks to listener Marianne in Norway for the request to read Barad!

Support us on Patreon to help us upgrade our recording equipment. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Leah Dion for the intro music, and to B for the outro music. Get the mp3 of the episode here.

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Ep. 16 – Luce Irigaray

Guest co-host Amy Schiller joins John (and B, kind of) to discuss essays from This Sex Which is Not one by Luce Irigaray, as well as a short passage from her Marine Lover of Friedrich Nietzsche. The conversations open with Amy’s ‘vagina park’ overview of Irigaray’s project, seamlessly segueing into discussing Irigaray’s feminist critique of phallogocentrism in Western reason, ontology, and epistemology and the status of the feminine in her writing. The dialogue moves on to explore her appropriation of Marx in the discussion of the exchange of women as well as the critique of her essentialism and the ethics of redeeming problematic feminist pasts. The discussion ends by juxtaposing Irigaray with Nietzsche and with Beauvoir.

Requests for texts for us to discuss? Advice questions for the show? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Like our Facebook page. Get the mp3 of the episode here. RSS feed here. This episode’s music by B.

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Ep. 6 – Genevieve Lloyd’s Man of Reason; Carol Gould Interview on Interactive Democracy Part II

Join B, John, and guest-host Cody Campbell for an enlightening discussion of the gendered and sexed nature of reason in western philosophy. Dealing with such topics as rationality, the role of embodiment in scientific thought, the project of feminist epistemologists, and the canonicity of the western philosophy canon, this meager assemblage of cisgender white men hopes to reveal the ongoing depths of this classic of feminism, The Man of Reason: ‘Male’ and Female’ in Western Philosophy, by Genevieve Lloyd. Who is a knower? What is knowing? And who gets to decided what constitutes knowing? Is Lloyd reinscribing some of that which she critiques? These are only a few questions we attempt to answer.

We also bring you the second part of our interview with Carol Gould  (Distinguished Professor of Philosophy and Political Science at The Graduate Center and Hunter College, CUNY) on her forthcoming book, Interactive Democracy: The Social Roots of Global Justice. This selection covers solidarity and empathy, the way Gould takes up feminist care ethics, social movements, and disciplinary boundaries between political theory and political philosophy.

Last but not least, we dispense advice on the social life of an academic and how to find the cool theory events in NYC.

Requests for texts for us to discuss? Advice questions to submit? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Like our Facebook page. Get the mp3 here. RSS feed here. This episode’s music by B and by Jordan Cass.

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