Interview: Jane Gordon and Drucilla Cornell on Creolizing Rosa Luxemburg — Epistemic Unruliness 36

This episode, Rachel and John have the honor and pleasure of interviewing Dr. Jane Anna Gordon and Dr. Drucilla Cornell about their new edited volume, Creolizing Rosa LuxemburgPart of the Creolizing the Canon series, this volume examines the political economy and political philosophies of Polish Marxist thinker and revolutionary Rosa Luxemburg, from her work on imperialism and the expanded reproduction of capital, to the violence of fascism, and her theory of primitive accumulation. The volume also considers her reception across the twentieth and twenty-first centuries, asking how her work can be expanded and applied in contemporary revolutionary politics.

As you have may have guessed from our podcast series on Luxemburg and our episode on Geraldine Heng, Rachel, Sid, and John have a chapter in the volume! We rethink primitive accumulation as a concept for theories of racial capitalism. For more about the book, check out the book panel from the Rosa Luxemburg Stiftung’s Rosa Luxemburg at 150: Revisiting Her Radical Life and Legacy conference from March 2021.

We begin by asking Gordon and Cornell about the concept of “creolization” and its relevance for the work of Luxemburg. Next we turn to ask about racism and capitalism, about social reproduction and Marxist feminism, and about how Rosa’s work points us to the co-constitutive nature of racism, heteropatriarchy, and capitalism. Finally, we ask what Rosa would think about theories of neoliberalism and contemporary forms of imperialism. Join us for this rich discussion of the creolized Rosa Luxemburg’s socialist horizons.

Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes or Spotify. Follow us on Twitter. Like our Facebook page. RSS feed here. Patreon here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommonsalways already thanks to B for the outro music. For the mp3 of the episode click here

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Ep. 69 – Dorfman and Mattleart on Disney and Imperialism

In this episode, Emily, James, and John enter the Worrisome World-Making of Disney (™) via How to Read Donald Duck, a 1971 Chilean Marxist critique of the American imperial-capitalist project of Disney, republished in 2018. Our trio approaches the book in form and content, and they discuss its social opposition through state censorship — whether as literal book-burning under the Pinochet regime or the banal violence of copyright infringement litigation in the United States — as well as praise the clarity of its cultural studies analysis of the Donald Duck comic strip (1938-1995). The comic, let us remind you, depicted the bourgeois imaginaries of the ne’er-do-well Donald Duck; his miserly ol’ Uncle Scrooge McDuck; everyone’s pal Daisy; our favorite triplets Huey, Dewey, and Louis; and all the aspiring burghers of Duckburg…and the realms beyond.
Does the “fantasia” and “magic of Disney” truly serve to mystify the processes of primitive accumulation? Is Scrooge McDuck’s Monroe-Doctrine, Robber-baron aesthetic the farcical return of Hobbes’ Leviathan? What might the fetishization of gold teach children about the value of labor? Why are there only uncles and aunts in Duckburg? What happened to production, reproduction, labor, class, and social antagonism? What does Donald Duck make invisible, and what does it seek to make natural? Is Donald Trump Scrooge? Is the Marvel Cinematic Universe the bourgeois ideology machine of our time?
Bonus: Find out why you should be simultaneously terrified of the acronym E.P.C.O.T. and grateful Walt Disney’s delusions of grandeur sank right back into the swampy Florida glades from which they sprung. Double bonus: critical mallard studies.
Always Already Medici Club patron Jason H requested we discuss this book, thank you Jason! Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Patreon here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommonsalways already thanks to B for the outro music. For the mp3 of the episode click here.

 

 

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Cover of How to Read Donald Duck

Ep. 63 – Silvia Federici, Caliban and the Witch

[Edited to add: Federici published an earlier version of this book in Italian in 1984; the English book Caliban and the Witch, published in 2004, as a synthesis of the earlier work and her ongoing research, thinking, and experiences, including time living in Nigeria in the 1980s. This context bears on our discussions of colonialism and the slave trade in the episode. Thanks to a listener for pointing this out.] 

In this episode, join James, Emily, and John for a discussion of Silvia Federici’s Caliban and the Witch: Women, the Body, and Primitive Accumulation. We attempt to parse her engagement with/extension of Marx’s concept of primitive accumulation, and question whether the figure of the witch in this text is a historical materialist one, a metonymic one, or some combination of the two. We also ask after the analogizing of witch hunts with the slave trade, draw on James’s rich knowledge of witchcraft to interrogate the role of actual witches in the text, think through the idea of capitalism’s historical inevitability, and perhaps even reveal ourselves to be different kinds of Marxists in the process!

Thanks to listener Jonathan Lowell for the request to read Federici. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommonsalways already thanks to B for the outro music. For the mp3 of the episode click here.

 

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Image of Silvia Federici, sitting on a chair while turned to the camera.

Silvia Federici in 2014. Photo by Marta Jara, used under CC BY-SA 3.0 es license. Found at https://en.wikipedia.org/wiki/Silvia_Federici#/media/File:La_escritora_y_activista_feminista_Silvia_Federici_(cropped).jpg

 

Cover of the book Caliban and the Witch