Ep. 68 – W.E.B. Du Bois, Darkwater: Voices from Within the Veil

Join Emily, B, Sid, and John for a classic AAP text discussion, this time featuring W.E.B. Du Bois’s Darkwater: Voices From Within the Veil. Our discussion begins (perhaps unsurprisingly!) with knowledge, education, and epistemology, and spans Du Bois’s analysis of racial capitalism, his materialism, aesthetics, canonization as a political theorist, and more. We interrogate Du Bois as a democratic theorist in his own right, analyze his (maybe) humanism and (maybe) universalism, and ask, what does it mean to read DuBois as a prescient diagnostician of our own political moment (and who is the revolutionary subject?)? While we barely scratch the surface of all this book has to offer (what of “work,” whiteness, poetics, and proto-feminism in this text?!), we welcome you to join us for the close reading, and stay for the water puns!

Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Patreon here. Thanks to Bad Infinity for the intro music, “Post Digital,” from their album FutureCommonsalways already thanks to B for the outro music. For the mp3 of the episode click here.

 

Links:

Black and white photograph of Du Bois, looking at the camera

W.E.B. Du Bois in 1918; from WikiMedia Commons

 

Blue-on-blue cover of Darkwater

First edition of Darkwater; from WikiMedia Commons

Interview: James Chamberlain on Undoing Work, Rethinking Community – Epistemic Unruliness 23

In this episode, James A. Chamberlain (Political Science, Mississippi State) joins John to discuss his recent book, Undoing Work, Rethinking Community: A Critique of the Social Function of Work. After situating the book in relation to recent political theory literature on work and labor, they delve into the way work society–and even some radical post-work thinkers–define work as the criteria for inclusion into society, and how this implicates specific kinds of social ontologies and notions of community. From there, they discuss Universal Basic Income and job guarantees, the gendering and racialization of labor, rethinking academic work, and how critiques of work interface with questions of borders and migration.

Support us on Patreon to help us upgrade our recording equipment and provide episode transcripts — plus, you may have the chance to jump your request to the top of the request queue. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. We are part of the Critical Mediations network. Thanks to Bad Infinity for the intro music, and always already thanks to B for the outro music. For the mp3 of the episode click here.

 

 

Ep. 55 – Kylie Jarrett: Feminism, Labour, and Digital Media

In this episode of AAP, John and Emily are joined by guest and friend of the podcast Amy Schiller for a discussion of Kylie Jarrett‘s book Feminism, Labor, and Digital Media: The Digital Housewife. We attempt to unpack “the digital housewife” as a device, method, standpoint, and subjectivity for understanding the role that affective labor plays in exploitation and the extraction of surplus value in digital media. We discuss the scope of the intervention in the context of the various Marxist traditions invoked, inquire whether there are resonances with labor in the academy, reflect on our own digital laboring, and pose questions that the book raises for us regarding radical politics, resistance, and alt-right meme culture.

Support us on Patreon to help us upgrade our recording equipment, potentially provide episode transcripts, and more – plus, you may have the chance to jump your request to the top of the request queue. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here.Thanks to Bad Infinity for the intro music, and always already thanks to B for the outro music. For the mp3 of the episode click here.

Also, we are excited to announce that we have joined the Critical Mediations network! You can check them/us out on the Critical Mediations website, soundcloud, or twitter.

 

Links:

 

 

Engels Cat: I Can Haz False Consciousness

The Engels Cat meme that is the focus of Chapter 5 of Jarrett’s book

 

 

Ep. 51 – Anna L. Tsing on Capitalism, Mushrooms, and the End of the World

In this episode, Emily and John are joined by a new guest and friend of the podcast Joseph Bookman for a lively discussion of Anna L. Tsing‘s book The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Join us as we try to unpack Tsing’s conceptualization of “salvage capitalism,” as we think through her use of “precarity,” and as we ruminate on the relationship between form and content in the book. Is there a politics of salvage capitalism and precarity to be drawn out of this work? Does the book’s form – a “riot of short chapters” – change the way we might critically engage with its arguments? Is capitalism always already about ruin and salvage? Plus, a very on-topic dream about a fancy cabin in the woods (capitalism, nature, and Freud – oh my!).

Thanks to listener @conteanth for the request to discuss Tsing.

Support us on Patreon to help us upgrade our recording equipment. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here. Thanks to Leah Dion for the intro music, to Bad Infinity for the music in between segments, and always already to B for the outro music. For the mp3 of the episode click here.

Links:
Anna L. Tsing
New Republic review of the book.
Interview with Anna Tsing for “Allegra Laboratory”
Anna Tsing keynote on “Landscapes and the Anthropocene”
Epistemic Unruliness 14: Joanna Steinhardt on mushrooms and ecological movements
Matsutake mushrooms

 

 

Ep. 47 – Jürgen Habermas on Secularism and Democracy; Review of Get Out

In this episode of the Always Already Podcast we discuss two distinct, overlapping, and not-so-overlapping essays by Jürgen Habermas: “Three Normative Models of Democracy,” written in 1994, and “Notes on Post-Secular Society,” written in 2008. We begin by asking whether Habermas’ conception of deliberative democracy changes from the first to the second piece, taking into consideration his critiques of liberal democracy and liberalism across both pieces. We ask whether his model of deliberative democracy attempts to decenter the state or society as a whole; the extent to which his model accounts for workers, anti-work, the workplace and labor politics; and the gems of wisdom that he could gain from Marx’s “On the Jewish Question” (Full disclosure: this episode is grounded in the efforts of Emily, John and Rachel to talk out the paper they are co-writing on anti-work politics and democratic theory).

Stick around for a special review/Frantz-Fanon-driven analysis of the new film Get Out by friend of the podcast/Always Already Fanon Correspondent M. Shadee Malaklou. Shadee also helps John answer listener questions about attending a conference and about glee over a frenemy’s failed Kickstarter campaign.

Support us on Patreon to help us upgrade our recording equipment. Requests for texts for us to discuss? Dreams for us to interpret? Advice questions for us to answer? Email us at alwaysalreadypodcast AT gmail DOT com. Subscribe on iTunes. Follow us on Twitter. Like our Facebook page. RSS feed here.Thanks to Leah Dion for the intro music and to B for the outro music. Special thanks to NEW musical feature aster for between-segment music off of their album a l w a y s a l r e a d y (check it out on bandcamp!). Get the mp3 of the episode here.

Links:

Jürgen on His Stuff

wikipedia; CC-BY-SA-3.0.